Natasha Raheja

Assistant Professor


I am a political and visual anthropologist working in the areas of migration, borders, state power, aesthetics, and ethnographic film. My current research generates medium-specific insights across writing and film to advance political theory on majority-minority relations and majoritarianism. In the context of cross-border migration and immigration policy in South Asia, I ask, how do majorities come to imagine themselves as minorities? Conversely, how do minorities come to imagine justice as part of majorities? How do majority-minority politics exceed the parameters of states, in ways that are not nation bound?

Currently in production, my documentary film, Kitne Passports? (How many Passports?), features cross-caste, Pakistani Hindu migrant families in India, visualizing their everyday identifications and disidentifications as they shift between minority and majority status. The film is a second project that emerges from first project, a book manuscript, From Minority to Majority: Pakistani Hindu Claims to Indian Citizenship. The book is an ethnographic account of Pakistani Hindu migration to India that theorizes the flexibility of the religious minority form across state borders in South Asia. Together, these works explore the relationships between religious nationalism, state machinery, and modes of cross-border belonging in the context of majority-minority relations in liberal democracies.

Extending my interest in uneven mobilities and borders, I am also completing an experimental short film series on the movement of non-human animals and everyday objects across the India-Pakistan border. Films in the series include: A Gregarious Species, Kaagaz ke chakkar, and Enemy Property. I believe that the study and production of film offer insights into the embodied, sensory dimensions of knowledge production. My first ethnographic film, Cast in India, raised questions around the relationship between built infrastructure in New York City and labor infrastructure in Howrah, India in the context of everyday urban objects such as manhole covers.  



Fuzzy Borders: Media, Migration Brokerage, and State Bureaucracy. American Ethnologist. 2024

A love story that challenges nationalism in South Asia? Not so fast. Dawn News. 2023

Visualizing Citizenship in a Bureaucratic Frame. Visual Anthropology Review. 2023

Invasive Media: The Making of A Gregarious Species. Journal of Media Art Study and Theory. 2023

with Ghazal Asif. Pakistani Politicians as Hindu Gods: The Visual Excesses of a Religious National Imaginary. Political and Legal Anthropology Review.  2023

Governing by Proximity: State Performance and Migrant Citizenship on the India-Pakistan Border. Cultural Anthropology. 2022

Our Sisters and Daughters: Pakistani Hindu Migrant Masculinities and Digital Claims to Indian Citizenship. Journal of Immigration and Refugee Studies. 2022

Virtual Belonging, Digital Diaspora, and Hindu Sindhi Identity in the early 2000s. Journal of Sindhi Studies. 2022

A Pakistani Hindu demographic Migration Survey, western Rajasthan. Handbook of Refugees in India. Routledge Press. 2022

with Ghazal Asif. Unwelcome Guests and Hostages: Minority Claims on the State Political and Legal Anthropology Review. 2020

with Syantani Chatterjee. India’s Citizenship Amendment Act (CAA): Citizenship and Belonging in India. Political and Legal Anthropology Review. 2020

Neither Here nor There: Pakistani Hindu Refugee Claims at the Interface of the International and South Asian Refugee Regimes. Journal of Refugee Studies. 2018

Warriors of Goja: Pains and Pleasures of the Sikh Male Body. Sikh Formations. 2014

Edited Collections

with Zeynep Gürsel and Karen Strassler. Bureaucratic Portraiture and Practices of CitizenshipVisual Anthropology Review. 2023

with Syantani Chatterjee. India’s Citizenship Amendment Act. Political and Legal Anthropology Review. 2020

Films and Video Installations 

Border Trilogy -  Enemy Property (in Production); Kaagaz ke Chakkar (in Production); A Gregarious Species (Single-channel Video Installation, 9 min on loop, 2021)
Select Screenings: Museum of Contemporary Art Cleveland, Flaherty NYC, Mimesis Documentary Festival, Mellon Border Environments Seminar, Rhode Island School of Design; Experimenter Learning Programme; Cornell Biennial SWARM; CAMRA at Penn Screening Scholarship Media Festival

Kitne Passports? (in Production)

1982 (6 min, USA/India, in Post-Production)

Stand Stable Here with Vijayanka Nair (2-channel video installation, 8 min loop, 2019) 

Sindhi Kadhi (8 min, India/USA/France, 2018)
Produced by The Grandmas Project

Jodhpur Films (50 min, India/Australia, 2016)
Childhood and Modernity Video Workshop Facilitated by Natasha Raheja
Directed by David MacDougall (Australian National University)

Fishermen’s Right to Know (10 min, USA, 2015)
Produced by the Southern Environmental Law Center

Cast in India (26 min, USA/India, 2014)
Distributed by Documentary Educational Resources
Select Screenings: DOC NYC, Margaret Mead Film Festival, Sebastapol, Athens Ethnographic Film Festival, Sebastopol Documentary Festival, Royal Anthropological Institute Film Festival, ETNOfilm, ETHNOCINECA, International Documentary Association 

Malini Srinivasan (10 min, USA, 2012)

Sindhi Voices Project Oral History Interviews (2011-2014; archived with the 1947 Partition Archive)

Book and Film Reviews

Documenting Worker Struggle. Visual and New Media Review, Fieldsights, Cultural Anthropology Website. August 27, 2020

Mediating Mobility: Visual Anthropology in the Age of Migration. Transfers: Interdisciplinary Journal of Mobility Studies (2018): 148-150.

Ishaare: Gestures and Signs in Mumbai American Anthropologist 119.4 (2017): 756-757.

With Rowena Potts. Interview with Shashwati Talukdar. Visual Anthropology Review 31.2 (2015): 201-202.


Select Course Syllabi
Anth 2400, Cultural Diversity and Contemporary Issues
Documentary Production Fundamentals (Course Interest Form for Fall 2024)

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ANTHR Courses - Spring 2024

ANTHR Courses - Fall 2024