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I am a legal and visual anthropologist working in the areas of migration, citizenship, and ethnographic film. My current documentary video project, Kitne Passports? (How many Passports?), visualizes the migration trajectories of Pakistani Hindu families in India from different caste backgrounds. The documentary is a companion to my book manuscript, From Minority to Majority: Pakistani Hindu Claims to Indian Citizenship. The book is an ethnographic account of Pakistani Hindu migration to India and theorizes the flexibility of the religious minority form and the endurance of caste across state borders in South Asia. Together, this work explores the relationships between religious nationalism, state machinery, and modes of cross-border belonging in the context of majority-minority relations in liberal democracies. Extending my interest in uneven mobilities and borders, I am also completing an experimental short film series on the movement of non-human animals and everyday objects across the India-Pakistan border. Films in the series include: A Gregarious Species, Kaagaz ke chakkar, and Enemy Property. As part of my fieldwork, I have conducted collaborative documentary filmmaking workshops with Pakistani Hindu middle-school students to understand and amplify their perspectives on life in India. My scholarship has received generous support from the Fulbright Commission, the Wenner-Gren Foundation for Anthropological Research, the American Institute for Indian Studies, the NYU Vice Provost’s office and several other endowments. My films have screened at colleges and festivals nationally and internationally and my publications have featured in the Journal of Refugee Studies, American Anthropologist, and Visual Anthropology Review.
I believe that the study and production of film offer insights into the embodied, sensory dimensions of knowledge production. Moreover, my documentary theory and production courses reflect the idea that the study and production of film have the potential to cultivate solidarity among contemporary students of anthropology and the wider publics in which they are embedded. In my ethnographic filmmaking practice, I take a collaborative approach that uses Rouchian ideas of ‘shared anthropology,’ blurring the lines between anthropologists and their interlocutors, the observers and the observed. My first ethnographic film, Cast in India, raised questions around the relationship between built infrastructure in New York City and labor infrastructure in Howrah, India in the context of everyday urban objects such as manhole covers.
Documentary, Ethnographic Film, Mobility, Migration, Bureaucracy, Nationalism, South Asia
- Performing and Media Arts
- ANTHR 3110 : Documentary Production Fundamentals
- ANTHR 4485 : Secularism and the Minority Question
- ANTHR 4910 : Independent Study: Undergrad I
- ANTHR 4920 : Independent Study: Undergrad II
- ANTHR 4983 : Honors Thesis Research
- ANTHR 6110 : Documentary Production Fundamentals
- ANTHR 7485 : Secularism and the Minority Question
- ANTHR 7910 : Independent Study: Grad I
- ANTHR 7920 : Independent Study: Grad II
- ANTHR 7930 : Independent Study: Grad III
Governing by Proximity: Foreigners' Acts and State Spectacles in western India. Under Review at Cultural Anthropology
Mediating Mobility: Migration and Brokerage at the Borders of the State. Under Review at American Ethnologist
Pakistani Hindu Migration 2016 Survey in Jodhpur Rajasthan, Handbook of Refugees in India. Routledge Press. Forthcoming
with Ghazal Asif. “Unwelcome Guests and Hostages: Minority Claims on the State” PoLAR Online, September 2020.
with Syantani Chatterjee. “India’s Citizenship Amendment Act (CAA): Citizenship and Belonging in India.” PoLAR Online, September 2020.
"Neither Here nor There: Pakistani Hindu Refugee Claims at the Interface of the International and South Asian Refugee Regimes." Journal of Refugee Studies, Volume 31, Issue 3, 1 September 2018, Pages 334–352
“Warriors of Goja: Pains and Pleasures of the Sikh Male Body” Sikh Formations 10.2 (2014): 219-231.Films and Video Installations
1982 (6 min, USA/India, in Post-Production)
A Gregarious Species (Single-channel Video Installation, 8 min on loop, 2021)
Stand Stable Here with Vijayanka Nair (2-channel video installation, 8 min loop, 2019)
Sindhi Kadhi (8 min, India/USA/France, 2018)
Produced by The Grandmas Project
Jodhpur Films (50 min, India/Australia, 2016)
Childhood and Modernity Video Workshop Facilitated by Natasha Raheja
Directed by David MacDougall (Australian National University)
Fishermen’s Right to Know (10 min, USA, 2015)
Produced by the Southern Environmental Law Center
Cast in India (26 min, USA/India, 2014)
Malini Srinivasan (10 min, USA, 2012)Book and Film Reviews
"Documenting Worker Struggle." Visual and New Media Review, Fieldsights, Cultural Anthropology Website. August 27, 2020
"Mediating Mobility: Visual Anthropology in the Age of Migration." Transfers: Interdisciplinary Journal of Mobility Studies (2018): 148-150.
"Ishaare: Gestures and Signs in Mumbai" American Anthropologist 119.4 (2017): 756-757.
With Rowena Potts. "Interview with Shashwati Talukdar." Visual Anthropology Review 31.2 (2015): 201-202.